The work of Bristol sound co-founder Geoff Barrow, this scabrous if slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to burgle his own parents. Before you can say, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Grimly Amusing Confrontation
Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The bigger point – that the rave-era youth were mainly focused on number one – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Poacher arrives, fuming after David kills his dog. Still, a darkly funny standoff takes hold – David eager to get away; the Woodsman denying his container of cider, determined to dousing him instead in resentful talk. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Sensibility
Just a single key story turn, but it results in a hilariously staged rampage on the forest trails that veers toward folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of bugs in headlights in the opening part, he now lets rip with the full lysergic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
Game is in UK and Irish cinemas from November 17.